Four street magicians are brought together to perform, entertain and, more importantly, cause a stir. Together, they make up ‘The Four Horsemen’, and for their first show they transport a Frenchman to his bank in Paris, where he steals money from the vault and showers it over the crowd. The Horsemen follow instructions presented to them by a mysterious figure, and upon realising the money is actually missing, FBI agent Dylan Rhodes is partnered with Interpol agent Alma Dray to track down the Horsemen and figure out what actually happened.
They enlist the help of a former magician who specialises in exposing magician’s tricks, and a strange game of cat and mouse ensues, with the Horsemen always staying one step ahead of the authorities.
Now You See Me is a fun, entertaining film, with enough magic and trickery to sustain it through the length of the film itself. It’s got a brilliant cast, with both Morgan Freeman and Michael Caine playing interesting, if slightly dickish, characters. The special effects work nicely to add to the sense of magic to the whole thing, with the Horsemen planted at the centre and showing off what they can do, even if this sometimes stretches the suspension of disbelief.
Most of the film focuses on Rhodes as he chases the magicians and tries to work out their next step, following their misdirection and realising more and more of the world they are all now operating him. There’s a budding romance between him and Dray, overshadowed at points by Rhodes passionate dedication to catching the people who constantly outrun him and the FBI. The film’s focus is on the authorities, but personally, I wanted to see more of the Horsemen, more magic and seen a bit more exploration of their characters, especially in terms of how they act together and how they work as a team.
Some of the strongest parts of the film come from the disasters people have experienced over the last few years. During their first show, the Horsemen speak of how the people were screwed over by the banks, how the recession has left people without jobs, homes, money, while the banks seem to get away with it. It forms the basis of their main act in the show, endearing the audience to them by convincing them that one man has been able to screw over his bank, with the money going back to the audience watching. In New Orleans, the audience are made up of victims of Katrina, all with the same insurance company, all of whom were, again, screwed over by them. And the Horsemen manage, in a small way, to help make it up to these people.
The revelation towards the end of the film feels a little forced, yet obvious at the same time, but it doesn’t detract from the sheer enjoyment of the movie. The magic is spectacular, absolutely wonderful to watch although very much unrealistic (but that’s what suspension of disbelief is for, right?). And the cast themselves, from Morgan Freeman and Michael Caine right down to James Franco’s brother (Dave Franco), are brilliant, adding real strength to the film. Like I said above, I would have absolutely loved to have seen more of the Horsemen themselves – who wouldn’t want more of Woody Harrelson? – but it’s a minor flaw in an otherwise really good film.